In a world that seems awash in sexualized imagery, why is it that so little of this imagery speaks to the common pleasurable reality of sex? Award-winning filmmaker Tony Comstock takes us into the legal and business realities that shape and too often warp the sexual imagery we see. Drawing on examples from Hollywood’s history of self-censorship, landmark obscenity cases, and the collision of technology and image-making, Comstock offers an expanded framework for understanding of how what we do and do not see in cinema effects our understanding of our own sexuality.
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- II)C)3: Buttman, Janet Reno, and the Sony VX1000: The rise of “Gonzo.”
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- II)C)1: Why Betamax vs VHS was the wrong question, and is still giving us wrong answers.








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